{"id":1242,"date":"2013-10-06T20:43:34","date_gmt":"2013-10-06T19:43:34","guid":{"rendered":"https:\/\/www.thisistruluv.com\/?p=1242"},"modified":"2023-04-05T12:43:13","modified_gmt":"2023-04-05T11:43:13","slug":"younghusband-dromes","status":"publish","type":"post","link":"https:\/\/www.thisistruluv.com\/younghusband-dromes\/","title":{"rendered":"Younghusband – Dromes"},"content":{"rendered":"\n

From bands to festivals, psych is in vogue. So much so that the bandwagon’s already crammed tight with new artists seeking recognition and acceptance. But London based psych-pop quartet Younghusband<\/strong> are exciting and easy to embrace.<\/p>\n\n\n\n

On the title track from their debut album Dromes<\/strong>, Euan Hinshelwood’s repetitive and infectious brand of songwriting hooks you in from the get go. Feverish guitars collide with a punchy bass line and some minimalist, tight and effective drumming. Produced by Nicolas Vernhes (Deerhunter\/Silver Jews), Hinshelwood’s voice comes over distinctive and fuzzy-sweet – all dressed up in west coast style harmonies. Chords and melodies churn and crash together in kaleidoscopic waves, peaking like an acid trip – looping and swelling in pulsing repetition, heightening the sonic experience. It’s an addictive formula. All dynamic tension and eventually a sense of release by way of a quirky Syd Barrett-esque psych-noise freak out. When this musical genre is no longer flavour of the month, Dromes will still stand out for being really fucking good.<\/p>\n\n\n